The Form of Becoming

String, motors, linear actuators, metallic structure, custom software and artificial intelligence.


For Gilbert Simondon, a technical object as well as a biological organism is characterized by being located in a process of becoming. In his own words:

“The machine is a result of organization and information; it resembles life and cooperates with life in its opposition to disorder and to the levelling out of all things [...] it slows down, [...] and becomes a stabilizer of the world”.

Coinciding with Simondon’s idea of technical object, The Form of Becoming is a sculpture which renders the emergent behavioral process through which intelligence is embodied and manifested, a negentropic machine capable of evolving and transmuting its form, moving towards order, balance, symmetry and silence while revealing patterns of information and organization embedded by default within nature. The Form of Becoming investigates intelligence, in both artificial and natural systems, it nurtures the idea that complexity and creativity can emerge from the mindless, meaningless, automatic process which is natural selection and evolution.

One of Darwin’s nineteenth-century critic, Robert Beverly MacKenzie, referred to the biologist’s work as a strange inversion of reasoning where absolute ignorance is fully qualified to take the place of absolute wisdom. Furthermore, MacKenzie referred to evolution and natural selection as a “beautiful machine” when he states:

“In order to make a perfect and beautiful machine, it is not requisite to know how to make it”.

According to Daniel Dennet, philosopher and cognitive scientist, around a century later after MacKenzie’s critic, Alan Turing said in juxtaposition to Darwin’s ideas:

“In order to be a perfect and beautiful computing machine, it is not requisite to know what arithmetic is”.

Two apparently distinct statements, one referring to nature and the other to computers, however, both use the word “machine” to invoke some sort of ideal entity which in itself is the product of ignorant self-organizing parts of one same whole. In this context, natural and computational objects, are in essence machinic and systematic self-organizing structures. 

The Form of Becoming blurs the seeming border which separates the natural from the artificial. The sculpture is comprised of a system of intelligent agents in a simple environment with a defined number of possible states to be in and a choice of actions to be exerted. By using reinforcement learning techniques of artificial intelligence, each agent is rendered with no previous model of itself and let free to explore its own milieu. Through a system of punishment vs reward each agent learns from the actions it takes and the states it achieves. With a very simple objective, to go from point A to point B, as an individual entity, each agent explores its mode of existence, learning to move within a single linear dimension, in contrast, as a collective of intelligent agents, the system evolves from chaos towards order, from abstraction to representation, through the process of becoming a recognizable and defined ideal form, a straight line. The Form of Becoming investigates intrinsic relations between intelligence, in both natural and artificial systems, and formalism in art. eyes and a great go to font for titles, paragraphs & more.